Biblio

Abrahamson, S. (2016) Data. Buffalo: Blazevox Books

Abrahamson, S. (2014) Metamericana. Buffalo: Blazevox Books

Abrahamson, S. Metamodernist Manifesto. Available at: http://www.metamodernism.org

Abramovic, M. (2016) Walk Through Walls. London: Fig Tree (Kindle edition)

Anonymous (2015) Gustav Metzger: towards auto-destructive art. Available via: https://www.a-n.co.uk/reviews/gustav-metzger-towards-auto-destructive-art

Anonymous (1888) My Secret Life. London: Library of Alexandria (Kindle book) Ashbery, J. (2004) Selected Prose. Manchester: Carcanet Press

Arrizabalaga, J. (2017). “Les Aliments Refuses or a Political History of Superfoods”. In FUET, issue 3.

Art & Language (1967). Map of Thirty-Six Square Mile Surface Area of Pacific Ocean West of Oahu [linotype on paper] via http://www.tate.org.uk/art/artworks/art-language-map-of-thirty-six-square-mile-surface-area-of-pacific-ocean-west-of-oahu-p01356

Ballard, JG (2009) Crash. London: Fourth Estate.

Barter, J. (ed) (2017) America After The Fall: Painting In The 1930s. Chicago: Art Institute of Chicago

Bean, V. & McCabe, C. (eds) (2012) The New Concrete. London: Hayward Publishing.

Benjamin, W. (2002) The Arcades Project, trans. Eiland H. & McLaughlin K. Cambridge: Harvard Univ Press

Blechman, H. (2014) “Camouflage”. In Newsome, R. (ed) This Is Not a Book About Gavin Turk. London: Trolley Books

 

Blom, I. (1998) “Boredom and Oblivion” in Friedman, K. (ed). The Fluxus Reader. Chichester: John Wiley & Sons.

Booth, J. (ed) (2002) Philip Larkin: Trouble at Willow Gables. London: Faber & Faber

Booth, P. (2015) Playing Fans: Negotiating Fandom and Media in the Digital Age. Iowa City: Univ of Iowa.

Burgin, R. (ed) (1998) Jorge Luis Borges: Conversations. Jackson: Univ of Mississippi Press.

Coolidge, C. (2011) “Bond Sonnets”, in Goldsmith, K. & Dworkin, C. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 164-165)

Cooper, S. (2010) “Sex and the Situs”. Available at: http://www.worldpicturejournal.com/WP_4/Cooper.html

Copeland, M. & Lovay, B. (eds) (2017) The Anti-Museum. London: Koenig Books

Cortazar, J. & Dunlop, C. (2008) Autonauts of the Cosmoroute. London: Telegram

Creed, M. (2017) Lecture (untitled)

Creed, M. (2015) Work No. 128. [various] Southampton: City Art Gallery

Danto, A. (2008) “Geometricity and Finesse: The Spirit of Tom Friedman’s Art”. In exhibition catalogue, Monsters + Stuff, May 30 – July 25 2008, Gagosian, London.

Debord, G. (1989) “On Wild Architecture”, in Sussman, E. (ed), On the Passage of a Few People through a Rather Brief Moment in Time. Cambridge MA: MIT Press

De Campos, A. (1957) “The Concrete Coin of Speech”, in Tolman, J. (trans) Jornal do Brasil, pps 167-176

De La Torre, M.( 2011) “Doubles”, in Dworkin, C. & Goldsmith, K. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 177-185)

Doris, D. (1998) “Zen Vaudeville: A Medi(t)ation in the Margins of Fluxus” in Friedman, K. (ed). The Fluxus Reader. Chichester: John Wiley & Sons.

Dworkin, C. & Goldsmith, K. (2011) Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press

Dworkin, C. (2013). No Medium. Cambridge: MIT Press (Kindle edition)

Dworkin, C. (2007). Reading the Illegible. Evanston: Northwestern Univ Press

Emin, T. (2000). The Last Thing I Said To You Was Don’t Leave Me Here [beach hut]. Available at: http://www.saatchigallery.com/artists/artpages/tracey_emin_9.htm

Feola, J. Alison Knowles: That’s when I rolled all the paintings up and burned them”. Available via: http://www.timeoutbeijing.com/features/Art/154755/Alison-Knowles-Thats-when-I-rolled-all-the-paintings-up-and-burned-them.html

Fitterman, R. (2007). Identity theft: a talk. Available at: https://www.nypoesi.net/?id=tekst&no=39

Fitterman, R. (2011) “Metropolis 16”.  In Dworkin, C. & Goldsmith, K. Against Expression. Evanston: Northwestern University Press (pp 219-221)

Fitterman, R. (2014). No, Wait. Yep. Definitely Still Hate Myself. Brooklyn: Ugly Duckling Presse

Fitterman, R. (2002). This Window Makes Me Feel. Available at: http:// www.robertfitterman.com/works/this_window_full_version.pdf

Freud, S. (1995) “Creative Writers and Day Dreaming”. In Burke, S. Authorship: from Plato to the Postmodern, a Reader. Edinburgh: Edinburgh Univ Press

Friedman, K. (ed) (1998). The Fluxus Reader. Chichester: John Wiley & Sons

Friedman, T. (1992). 11 x 22 x .005 [erased Playboy centrefold] via http://www.artnet.com/artists/tom-friedman/11-x-22-x-005-_ku0Hh-dU2DOFdhzUDLiLg2.

 

Goldsmith, K. (2003) Day. Berkeley: Figures

Goldsmith, K. (2015) Capital. New York: Verso Books

Goldsmith, K. (2004) Fidget. Toronto: Coach House Books

Goldsmith, K. (2001) Soliloquy. New York: Granary Books

Goldsmith, K. (2011) Uncreative Writing. New York: Columbia Univ Press. Kindle edition

Goldsmith, K. (2016) Wasting Time on the Internet. New York: Harper Perennial. Kindle edition

Goldsmith, K. (2017) Wrong In The Right Way. Available at: theartnewspaper.com/ comment/reviews/exhibitions/wrong-in-the-right-way-kenneth-goldsmith-on-why-picabia-s-false-modernism-feels-so-true/

Gott, R. (1970). Guerrilla Movements in Latin America. London: Thomas Nelson

Grossman, E. (2017) The Technique of Anti-Poetry. Available at https:// http://www.nicanorparra.uchile.cl/english/index.html

Hackett, P. (ed) (1989) The Andy Warhol Diaries. New York: Warner Books

Hale, T. (trans) (1997) 4 Dada Suicides. London: Atlas Press

Haney, WM. (1906) The Mountain People of Kentucky. Cincinnati: The Robert Clarke Co. Available via https://www.forgottenbooks.com/en/…/TheMountainPeopleofKentucky_10126145.pdf

Higgins, H. (2002) Fluxus Experience. Berkeley: Univ of California Press

Huyssen, A. (2012) Twilight Memories: Marking Time in a Culture of Amnesia. London: Routledge.

Irving, S. (2012) Leila Khaled: Icon of Palestinian Liberation. London: Pluto Books

Jackson, C.I. (ed) (2009) The Arctic Whaling Journals of William Scoresby the Younger. Farnham: Ashgate Publishing

Jones, J. Kitsch art: love it or loathe it? Available at:  https://www.theguardian.com/artanddesign/jonathanjonesblog/2013/jan/28/kitsch-art-love-loathe-jonathan-jones

Jorn, A. & Debord, G. (1959) Memoires, trans. Ian Thompson. Self-published. Available at

https://isinenglish.files.wordpress.com/2015/03/memoires-debord-jorn.pdf

Kay, E. (1997) The Bible From Memory [Lithograph on paper mounted onto board]. London: Tate Gallery

Kay, E. (1999) Shakespeare From Memory. London: British Council

Kay, E. (1999) Worldview. London: Book Works

Kinley, C. (1999) Abracadabra: international contemporary art. London: Tate

Kuehn, J. & Smethurst, P. (eds) (2009) Travel Writing, Form and Empire. London: Routledge

Leader, D. (2016) Gavin Turk: The Artist Will Unmask You Now. Available at: theguardian.com/artanddesign/2016/nov/16/gavin-turk-darian-leader-interview- retrospective-newport-street-gallery?

Lee, S-K & Rennert, S. (eds) (2010) Nam June Paik. London: Tate Publishing

Levin, P. (ed) (2001) The Penguin Book of the Sonnet. London: Penguin

Shakespeare, W. Sonnet 130. Available at: https://www.poets.org/poetsorg/poem/my- mistress-eyes-are-nothing-sun-sonnet-130

Low, T. (2011) “Confessions”, in Goldsmith, K. & Dworkin, C. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 352-358)

Marinetti, F. (2014) The Futurist Cookbook. London: Penguin

Mayor, D. (ed) (1972) Fluxshoe. Devon: Beau Geste Press

McCarthy, T. (2017) Typewriters, Bombs, Jellyfish. New York: New York Review of Books. Kindle edition

Mink, J. (ed) (1994) Marcel Duchamp: Art as Anti-Art. Koln: Taschen

Morris, D. & Voyce, S. (2015) Introduction: Maps? Available at https://jacket2.org/commentary/introduction-maps

Mullen, H. (2002) “My Mickey Mouse ears..” in Sleeping With The Dictionary. Berkeley: Univ of California Press

Mullen, H. (2006) Recyclopedia. Minneapolis: Graywolf Press

Newsome, R. (ed) (2014) This Is Not a Book About Gavin Turk. London: Trolley Books

Nicklas, B. (2016) “Museum of the Void (Castles in the Sand”. In Copeland, M. & Lovay, B. (eds) (2017) The Anti-Museum. London: Koenig Books

Ono, Y. (2000) Grapefruit. London: Simon & Schuster

Paik, N. (1963). Fluxus Island in Decollage Ocean [offset lithograph] 40 x 57.3cm via: http://moma.org/collection/works/130573?locale=en

Patterson, B. (2012) Born in the State of FLUX/us. Houston: Contemporary Arts Museum Houston

Perec, G. (2011) “Attempt at an Inventory of the Liquid and Solid Foodstuffs Ingurgitated By Me in the Course of the Year Nineteen Hundred and Seventy-Four”, in Goldsmith, K. & Dworkin, C. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 477-182)

Perec, G. (1973). “The Infra-ordinary”. Available via ubu.com/papers/perec_infraordinary.html

Pereira, M. (1973). Across the Caucasus. London: Geoffrey Bles.

Perloff, M. (2001) Unoriginal Genius. Chicago: Univ of Chicago Press

Phillips, T. (2012) A Humument: A Treated Victorian Novel. London: Thames & Hudson.

Pilling, D. (2012) “The World According to Yayoi Kusama” in Financial Times, Jan 20 2012.

Richards, M. (2008) Ed Ruscha. London: Tate

Richter, G. (1989) Gerhard Richter: 16. Oktober 1977. London: Inst. of Contemporary Arts

Richter, H. (2016) Dada: Art And Anti-Art. London: Thames & Hudson

Romains, J. (2012) Donogoo-Tonka or The Miracles of Science. New York: Princeton Architectural Press.

Rothfuss, J. (2014) Topless Cellist: The Improbable Life of Charlotte Moorman. Cambridge: MIT Press.

Ruscha, Ed. (1967) Dodgers Stadium, 1000 Elysian Park Ave. [photograph, gelatin silver print on paper] via http://www.tate.org.uk/art/artworks/ruscha-dodgers-stadium-1000-elysian-park-ave-al00256

Shirinyan, A. (2008) Your Country Is Great. New York: Futurepoem Books

Solt, M. Moon Shot Sonnet. Available at: http://coldfrontmag.com/concrete-poetry-in- america/

Sinclair, I. (2005) London Orbital. London: Penguin

Stein, G. (1963) “About Boris Lurie”. Available via: https://borislurieart.org/2009/about-boris-lurie

Stracey, F. (2014) Constructed Situations. London: Pluto Press

Tomii, R. & Friello, K. (2000) Yes, Yoko Ono. New York: Harry Abrams.

Toussaint, J-P. (2008). The Bathroom. London: Dalkey Archive

Turk, G. (2017) Cave [ceramic plaque] London: Newport Street Gallery

Van Hooft, K. (1974) “The Artefactos of Nicanor Parra: The Explosion of the Anti-Poem”, in Bilingual Review, Vol. 1. No. 1. (pp. 67-80)

Wark, M. (2011) The Beach Beneath The Street. London: Verso Books

Watson, M. (2016) Towards a Conceptual Militancy. Winchester: Zero Books (Kindle edition)

Weichbrodt, G. (2016) Dictionary of Non-Notable Artists. Berlin: Frohmann Verlag (pdf)

Williams, E. & Noel, A. (1997) Mr. Fluxus. A collective portrait of George Macunias 1931-1978. London: Thames & Hudson (pdf)

Williams, E. (2013) Anthology of Concrete Poetry. New York: Primary Information. Available at: https://monoskop.org/images/a/a6/Williams_Emmett_ed_Anthology_of_Concrete_Poetry.pdf

Zurita, R. (2002) Nicanor Parra: The Worst Is Behind. In BOMB 106, available via: bombmagazine.org/article/3221/nicanor-parra-the-worst-is-behind

Zykov, V. (2011) “I Was Told To Write Fifty Words”, in Dworkin, C. & Goldsmith, K. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 581-586)

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