Abrahamson, S. (2016) Data. Buffalo: Blazevox Books
Abrahamson, S. (2014) Metamericana. Buffalo: Blazevox Books
Abrahamson, S. Metamodernist Manifesto. Available at: http://www.metamodernism.org
Abramovic, M. (2016) Walk Through Walls. London: Fig Tree (Kindle edition)
Anonymous (2015) Gustav Metzger: towards auto-destructive art. Available via: https://www.a-n.co.uk/reviews/gustav-metzger-towards-auto-destructive-art
Anonymous (1888) My Secret Life. London: Library of Alexandria (Kindle book) Ashbery, J. (2004) Selected Prose. Manchester: Carcanet Press
Arrizabalaga, J. (2017). “Les Aliments Refuses or a Political History of Superfoods”. In FUET, issue 3.
Art & Language (1967). Map of Thirty-Six Square Mile Surface Area of Pacific Ocean West of Oahu [linotype on paper] via http://www.tate.org.uk/art/artworks/art-language-map-of-thirty-six-square-mile-surface-area-of-pacific-ocean-west-of-oahu-p01356
Ballard, JG (2009) Crash. London: Fourth Estate.
Barter, J. (ed) (2017) America After The Fall: Painting In The 1930s. Chicago: Art Institute of Chicago
Bean, V. & McCabe, C. (eds) (2012) The New Concrete. London: Hayward Publishing.
Benjamin, W. (2002) The Arcades Project, trans. Eiland H. & McLaughlin K. Cambridge: Harvard Univ Press
Blechman, H. (2014) “Camouflage”. In Newsome, R. (ed) This Is Not a Book About Gavin Turk. London: Trolley Books
Blom, I. (1998) “Boredom and Oblivion” in Friedman, K. (ed). The Fluxus Reader. Chichester: John Wiley & Sons.
Booth, J. (ed) (2002) Philip Larkin: Trouble at Willow Gables. London: Faber & Faber
Booth, P. (2015) Playing Fans: Negotiating Fandom and Media in the Digital Age. Iowa City: Univ of Iowa.
Burgin, R. (ed) (1998) Jorge Luis Borges: Conversations. Jackson: Univ of Mississippi Press.
Coolidge, C. (2011) “Bond Sonnets”, in Goldsmith, K. & Dworkin, C. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 164-165)
Cooper, S. (2010) “Sex and the Situs”. Available at: http://www.worldpicturejournal.com/WP_4/Cooper.html
Copeland, M. & Lovay, B. (eds) (2017) The Anti-Museum. London: Koenig Books
Cortazar, J. & Dunlop, C. (2008) Autonauts of the Cosmoroute. London: Telegram
Creed, M. (2017) Lecture (untitled)
Creed, M. (2015) Work No. 128. [various] Southampton: City Art Gallery
Danto, A. (2008) “Geometricity and Finesse: The Spirit of Tom Friedman’s Art”. In exhibition catalogue, Monsters + Stuff, May 30 – July 25 2008, Gagosian, London.
Debord, G. (1989) “On Wild Architecture”, in Sussman, E. (ed), On the Passage of a Few People through a Rather Brief Moment in Time. Cambridge MA: MIT Press
De Campos, A. (1957) “The Concrete Coin of Speech”, in Tolman, J. (trans) Jornal do Brasil, pps 167-176
De La Torre, M.( 2011) “Doubles”, in Dworkin, C. & Goldsmith, K. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 177-185)
Doris, D. (1998) “Zen Vaudeville: A Medi(t)ation in the Margins of Fluxus” in Friedman, K. (ed). The Fluxus Reader. Chichester: John Wiley & Sons.
Dworkin, C. & Goldsmith, K. (2011) Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press
Dworkin, C. (2013). No Medium. Cambridge: MIT Press (Kindle edition)
Dworkin, C. (2007). Reading the Illegible. Evanston: Northwestern Univ Press
Emin, T. (2000). The Last Thing I Said To You Was Don’t Leave Me Here [beach hut]. Available at: http://www.saatchigallery.com/artists/artpages/tracey_emin_9.htm
Feola, J. Alison Knowles: That’s when I rolled all the paintings up and burned them”. Available via: http://www.timeoutbeijing.com/features/Art/154755/Alison-Knowles-Thats-when-I-rolled-all-the-paintings-up-and-burned-them.html
Fitterman, R. (2007). Identity theft: a talk. Available at: https://www.nypoesi.net/?id=tekst&no=39
Fitterman, R. (2011) “Metropolis 16”. In Dworkin, C. & Goldsmith, K. Against Expression. Evanston: Northwestern University Press (pp 219-221)
Fitterman, R. (2014). No, Wait. Yep. Definitely Still Hate Myself. Brooklyn: Ugly Duckling Presse
Fitterman, R. (2002). This Window Makes Me Feel. Available at: http:// www.robertfitterman.com/works/this_window_full_version.pdf
Freud, S. (1995) “Creative Writers and Day Dreaming”. In Burke, S. Authorship: from Plato to the Postmodern, a Reader. Edinburgh: Edinburgh Univ Press
Friedman, K. (ed) (1998). The Fluxus Reader. Chichester: John Wiley & Sons
Friedman, T. (1992). 11 x 22 x .005 [erased Playboy centrefold] via http://www.artnet.com/artists/tom-friedman/11-x-22-x-005-_ku0Hh-dU2DOFdhzUDLiLg2.
Goldsmith, K. (2003) Day. Berkeley: Figures
Goldsmith, K. (2015) Capital. New York: Verso Books
Goldsmith, K. (2004) Fidget. Toronto: Coach House Books
Goldsmith, K. (2001) Soliloquy. New York: Granary Books
Goldsmith, K. (2011) Uncreative Writing. New York: Columbia Univ Press. Kindle edition
Goldsmith, K. (2016) Wasting Time on the Internet. New York: Harper Perennial. Kindle edition
Goldsmith, K. (2017) Wrong In The Right Way. Available at: theartnewspaper.com/ comment/reviews/exhibitions/wrong-in-the-right-way-kenneth-goldsmith-on-why-picabia-s-false-modernism-feels-so-true/
Gott, R. (1970). Guerrilla Movements in Latin America. London: Thomas Nelson
Grossman, E. (2017) The Technique of Anti-Poetry. Available at https:// http://www.nicanorparra.uchile.cl/english/index.html
Hackett, P. (ed) (1989) The Andy Warhol Diaries. New York: Warner Books
Hale, T. (trans) (1997) 4 Dada Suicides. London: Atlas Press
Haney, WM. (1906) The Mountain People of Kentucky. Cincinnati: The Robert Clarke Co. Available via https://www.forgottenbooks.com/en/…/TheMountainPeopleofKentucky_10126145.pdf
Higgins, H. (2002) Fluxus Experience. Berkeley: Univ of California Press
Huyssen, A. (2012) Twilight Memories: Marking Time in a Culture of Amnesia. London: Routledge.
Irving, S. (2012) Leila Khaled: Icon of Palestinian Liberation. London: Pluto Books
Jackson, C.I. (ed) (2009) The Arctic Whaling Journals of William Scoresby the Younger. Farnham: Ashgate Publishing
Jones, J. Kitsch art: love it or loathe it? Available at: https://www.theguardian.com/artanddesign/jonathanjonesblog/2013/jan/28/kitsch-art-love-loathe-jonathan-jones
Jorn, A. & Debord, G. (1959) Memoires, trans. Ian Thompson. Self-published. Available at
https://isinenglish.files.wordpress.com/2015/03/memoires-debord-jorn.pdf
Kay, E. (1997) The Bible From Memory [Lithograph on paper mounted onto board]. London: Tate Gallery
Kay, E. (1999) Shakespeare From Memory. London: British Council
Kay, E. (1999) Worldview. London: Book Works
Kinley, C. (1999) Abracadabra: international contemporary art. London: Tate
Kuehn, J. & Smethurst, P. (eds) (2009) Travel Writing, Form and Empire. London: Routledge
Leader, D. (2016) Gavin Turk: The Artist Will Unmask You Now. Available at: theguardian.com/artanddesign/2016/nov/16/gavin-turk-darian-leader-interview- retrospective-newport-street-gallery?
Lee, S-K & Rennert, S. (eds) (2010) Nam June Paik. London: Tate Publishing
Levin, P. (ed) (2001) The Penguin Book of the Sonnet. London: Penguin
Shakespeare, W. Sonnet 130. Available at: https://www.poets.org/poetsorg/poem/my- mistress-eyes-are-nothing-sun-sonnet-130
Low, T. (2011) “Confessions”, in Goldsmith, K. & Dworkin, C. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 352-358)
Marinetti, F. (2014) The Futurist Cookbook. London: Penguin
Mayor, D. (ed) (1972) Fluxshoe. Devon: Beau Geste Press
McCarthy, T. (2017) Typewriters, Bombs, Jellyfish. New York: New York Review of Books. Kindle edition
Mink, J. (ed) (1994) Marcel Duchamp: Art as Anti-Art. Koln: Taschen
Morris, D. & Voyce, S. (2015) Introduction: Maps? Available at https://jacket2.org/commentary/introduction-maps
Mullen, H. (2002) “My Mickey Mouse ears..” in Sleeping With The Dictionary. Berkeley: Univ of California Press
Mullen, H. (2006) Recyclopedia. Minneapolis: Graywolf Press
Newsome, R. (ed) (2014) This Is Not a Book About Gavin Turk. London: Trolley Books
Nicklas, B. (2016) “Museum of the Void (Castles in the Sand”. In Copeland, M. & Lovay, B. (eds) (2017) The Anti-Museum. London: Koenig Books
Ono, Y. (2000) Grapefruit. London: Simon & Schuster
Paik, N. (1963). Fluxus Island in Decollage Ocean [offset lithograph] 40 x 57.3cm via: http://moma.org/collection/works/130573?locale=en
Patterson, B. (2012) Born in the State of FLUX/us. Houston: Contemporary Arts Museum Houston
Perec, G. (2011) “Attempt at an Inventory of the Liquid and Solid Foodstuffs Ingurgitated By Me in the Course of the Year Nineteen Hundred and Seventy-Four”, in Goldsmith, K. & Dworkin, C. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 477-182)
Perec, G. (1973). “The Infra-ordinary”. Available via ubu.com/papers/perec_infraordinary.html
Pereira, M. (1973). Across the Caucasus. London: Geoffrey Bles.
Perloff, M. (2001) Unoriginal Genius. Chicago: Univ of Chicago Press
Phillips, T. (2012) A Humument: A Treated Victorian Novel. London: Thames & Hudson.
Pilling, D. (2012) “The World According to Yayoi Kusama” in Financial Times, Jan 20 2012.
Richards, M. (2008) Ed Ruscha. London: Tate
Richter, G. (1989) Gerhard Richter: 16. Oktober 1977. London: Inst. of Contemporary Arts
Richter, H. (2016) Dada: Art And Anti-Art. London: Thames & Hudson
Romains, J. (2012) Donogoo-Tonka or The Miracles of Science. New York: Princeton Architectural Press.
Rothfuss, J. (2014) Topless Cellist: The Improbable Life of Charlotte Moorman. Cambridge: MIT Press.
Ruscha, Ed. (1967) Dodgers Stadium, 1000 Elysian Park Ave. [photograph, gelatin silver print on paper] via http://www.tate.org.uk/art/artworks/ruscha-dodgers-stadium-1000-elysian-park-ave-al00256
Shirinyan, A. (2008) Your Country Is Great. New York: Futurepoem Books
Solt, M. Moon Shot Sonnet. Available at: http://coldfrontmag.com/concrete-poetry-in- america/
Sinclair, I. (2005) London Orbital. London: Penguin
Stein, G. (1963) “About Boris Lurie”. Available via: https://borislurieart.org/2009/about-boris-lurie
Stracey, F. (2014) Constructed Situations. London: Pluto Press
Tomii, R. & Friello, K. (2000) Yes, Yoko Ono. New York: Harry Abrams.
Toussaint, J-P. (2008). The Bathroom. London: Dalkey Archive
Turk, G. (2017) Cave [ceramic plaque] London: Newport Street Gallery
Van Hooft, K. (1974) “The Artefactos of Nicanor Parra: The Explosion of the Anti-Poem”, in Bilingual Review, Vol. 1. No. 1. (pp. 67-80)
Wark, M. (2011) The Beach Beneath The Street. London: Verso Books
Watson, M. (2016) Towards a Conceptual Militancy. Winchester: Zero Books (Kindle edition)
Weichbrodt, G. (2016) Dictionary of Non-Notable Artists. Berlin: Frohmann Verlag (pdf)
Williams, E. & Noel, A. (1997) Mr. Fluxus. A collective portrait of George Macunias 1931-1978. London: Thames & Hudson (pdf)
Williams, E. (2013) Anthology of Concrete Poetry. New York: Primary Information. Available at: https://monoskop.org/images/a/a6/Williams_Emmett_ed_Anthology_of_Concrete_Poetry.pdf
Zurita, R. (2002) Nicanor Parra: The Worst Is Behind. In BOMB 106, available via: bombmagazine.org/article/3221/nicanor-parra-the-worst-is-behind
Zykov, V. (2011) “I Was Told To Write Fifty Words”, in Dworkin, C. & Goldsmith, K. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern Univ Press (pps 581-586)